It’s Christmas in the drunk tank and The Pogues have reformed, featuring the classic line-up of Shane MacGowan, Jem Finer, Darryl Hunt, Philip Chevron, Terry Woods, Spider Stacey, Andrew Rankin and James Fearnley. Who wouldn’t raise a glass to this momentous occasion?
The Pogues’ turbulent history can be traced back into the mists of 1982 when ex-Nipple Erector vocalist and London-Celt Shane McGowan joined ex-Millwall Chainsaw Spider Stacy to play a set of Irish rebel songs at a gig in London. They were pelted off the stage with chips.
In the lobby, the queue for the men’s toilets is 50 yards long, and there is no queue for the women’s – definitely a Pogues gig. Mundy, fair dues, braves the challenge of supporting the unlikely returned heroes, and does very well too, getting the hall in form for the near-sold out gig at the Point. If it’s been over a decade since we’ve seen the Pogues play together, it doesn’t sound that way tonight.
From small-time ramshackle punk'n'Irish troubadours to 'international touring act' in the space of six incident-packed years, The Pogues have not only produced music to consistently surprise and delight - they've put it in the charts too! With the help of band members Phil Chevron and Jem Finer, Bill Graham examines The Pogues' enigma in advance of the outfit's impending Christmas single 'Yeah, Yeah, Yeah, Yeah, Yeah' (phew!) and their seasonal show at The Point Depot in Dublin.
After a period of restless inactivity, The Pogues went into Rak Studio with U2 knob-twiddler Steve Lillywhite. The result is arguably The Pogues’ most eclectic work.
Philip Chevron's career has been nothing if not varied. From the early days with the Radiators through his collaborations with people like Agnes Bernelle and right up to his current work with The Pogues, he has proved himself to be a consistently fine songwriter and performer. In the first part of a lengthy and intense interview, he talks to Eamonn McCann about his childhood, his love of Broadway musicals, the Horslips connection, the genesis of the Radiators and his fleeting career as a journalist.
U2, Elvis Costello, The Pogues, The Waterboys, Emmylou Harris, Hothouse Flowers, The Everly Brothers, Christy Moore just some of the dozens of artists who contribute to an adventurous new five part TV series which traces the extraordinary return journey that Irish traditional music has made to America and beyond. Here, Liam Fay previews the programmes, talks to Philip King who originated and nurtured the project and hears many of the participants explain how they discovered the importance and influence of Irish music.
Glen Hansard & Marketa Irglova and The Pogues have been officially confirmed for Oxegen, along with the full day-by-day schedule for the July festival.
"Like The Pogues gig on the other side of Xmas, The Frames at Vicar Street on New Year’s Eve is now a fixture of the season and quite the place to be."
Though the throng treat the night as a karaoke singalong excuse to rattle out the 20% of lyrics they’re actually acquainted with, the highs are vertigo peaks.
Till now, Pogues' compliments have invariably centred on Shane MacGowan's singular songwriting. The group's erratic performances which could descend into some ramshackle acoustic heart of darkness meant the praise wasn't always extended to his fellows.
With the departure of Shane McGowan a couple of years ago, it was fashionable to write off The Pogues as mere also rans. But the band have proven to be one of the success stories of 1993, with the release of their superb Waiting For Herb album putting them right back on course. Now they can afford to tell their detractors: kiss my ass (under the mistletoe of course). Interview: Siobhán Long.
Having finally come to an agreement with the Irish Music Rights Organisation, Apple made the European version of the iTunes Music Store available yesterday in Ireland.
*No artist is ever morbid. The artist can express everything.* - Oscar Wilde, preface to The Picture Of Dorian Gray (1891)
*Life's a bitch, then you die. Black hell.* - Shane McGowan Hell's Ditch (1990).
Eamonn McCann accompanies The Pogues across the sea to Scotland s centre of Irishness, Glasgow, and enters a complex world of fiercely divided loyalties, joyous celebration and soccer madness.
Rum saw the first flowering of Shane MacGowan as a unique and brilliant song-poet, unafraid to speak the unspeakable but also capable of magnificent vocal interpretations of songs like Ewan McColl’s ‘Dirty Old Town’.
If I Should Fall From Grace is the most intimate portrait of SHANE MacGOWAN yet. CRAIG FITZSIMONS meets the director of the critically acclaimed biopic, SARAH SHARE.
Liam Fay calls on Shane MacGowan at home, where over mugs of brandy, the singer cheerfully rationalises his notorious alcohol-intake in the face of widespread concern that he might be drinking himself to an early grave. The premier Pogue disagrees, predicting instead a happy fulfilling life away from the stage, in which he would own and run a fully-licensed restaurant in London and face extended vacations in Thailand.
Shane MacGowan is not happy with the newly published A DRINK WITH SHANE MacGOWAN.
for a start, it should be called Several drinks with Shane MacGowan, he points out. Plus there's a lot in it that's "garbled, dodgy and well-suspect". and on top of that, he wouldn't even stand over SOME of HIS OWN opinions AS expressed in the book. in fact, if shane had his way he'd "burn every fucking copy". Olaf Tyaransen tries to get the record straight while, inevitably, getting the drinks in. photography: Mick Quinn
It's a double home-coming as U2 return from their odyssey 'round the globe to bring "The Joshua Tree" tour to their fanatical Irish supporters in Dublin and Cork. Bill Graham reports.
When Paddy Moloney isn t busy gigging, rehearsing or recording with his band of merry men, The chieftains, he s laughing. A man who makes The Laughing Policeman look like Leonard Cohen, Moloney recently took a 10-minute break to talk to Paul Byrne about the band s new album REEL MUSIC, their upcoming London festival weekend, their up-coming Christmas album, Van Morrison and oh, about four million other things The Chieftains are currently involved with. Hold onto your sides!
He may have gone from The Clash to the BBC World Service but, happily, Joe Strummer is still a self-proclaimed "loony and rebel" after all these years. Interview: Olaf Tyaransen
It s been a long, long way from there to here and DONAL LUNNY has been at the centre of things every step of the journey. He has achieved enormous acclaim and considerable success with Planxty, The Bothy Band and Moving Hearts. Now with the launch of his latest band and their eponymously titled album COOLFIN, he takes time out to reflect on all of the major figures who have contributed to the extraordinary revival of folk and traditional music that has taken place over the past 30 years. He also recalls the highs and the lows the heartbreak, the good times and the great music that he himself has enjoyed as one of Ireland s finest and most influential musicians. Interview: Niall Stokes. Pics: Colm Henry
They must be sick of the Pogues comparisons by this stage, but listening to Blood Or Whiskey’s third studio album it’s impossible not to think of Spider Stacey bouncing his head off a beer crate and an early Shane MacGowan screeching into the microphone with two fingers aloft as the squaddies chucked their chips at him. Blood Or Whiskey evoke those sort of memories. The Rum, Sodomy And The Lash era when The Pogues stuck to their punk and traditional origins.
With the sound of The Prodigy’s Marmite-esque set still ringing in our ears from last night, we arrive back on site to be greeted with some much needed Sunday morning sunshine.
He may have gone from The Clash to the BBC World Service, but, happily, Joe Strummer is still a self-proclaimed "Loony and Rebel" after all these years
He may have gone from The Clash to the BBC World Service, but, happily, Joe Strummer is still a self-proclaimed "Loony and Rebel" after all these years.
Taking time out from his stag weekend, baroque retro-rocker The Mighty Stef talks about the influence of film on his writing, his enduring love for Nick Cave and his friendship with Shane MacGowan
Do you recognise this voice? "It really annoys me that our bleedin’ patron saint is a bloody Brit. Before he came along we were havin’ the craic, drinkin’, fightin’, killin’, pukin’, inbreedin’ an’ ridin’ animals. Then over he trots with his ‘thou shalt not do this’ or ‘hey, leave that Irish wolfhound alone’..."
Kirsty MacColl has added another string to her bow with a new album heavily influenced by Cuban and Brazilian music. She told Niall Stanage about the album s genesis, the break-up of her marriage to Steve Lillywhite and why there s no Left in Britain anymore .
On the eve of the release of the group’s new album Winning Days, The Vines’ bassist Patrick Mathews gives hannah Hamilton the inside story on the tensions that threatened to split the band, hanging with Steve-o and the Jackass crew, and the group’s heretofore undeclared love of the Clancy Brothers.
Craig Fitzsimons meets Jimmie Dale Gilmore, possessor of a unique high ’n’ lonesome voice and yet another great product of the Lone Star State who, belatedly, is
experiencing a modicum of stardom himself.
Scenesters have been hip to widescreen New Jersey-ites THE GASLIGHT ANTHEM for several years. Now the rest of the world is starting to pay attention, too.
Canadian songwriter Emm Gryner has released a covers album of Irish rock classics. But what inspired her to tackle Horslips, The Undertones and Gilbeert O'Sullivan? And why didn't The Pogues make the cut?
There's a veritable treasure chest of musical swag up for grabs in the RTE/People In Need Telethon auctions on eBay.ie right now - and it's all for a good cause!
In the first of a new Hot Press series, in which we ll be asking well-known Irish people to step onto a national podium, author and
publisher dermot bolger delivers his state of the nation address.
That, according to Shane MacGowan, will be the title of his next, and exceedingly long-awaited album. in the meantime there’s Sean Nós, the war, his dad, drink and Celtic football legend Jimmy Johnstone to be going on with.
There is many a haven for shunners of the Christmas Cheer like myself. Lots of lovely bands, singers, comedians and even hynotherapists are at hand to entertain the life out of us, and distract Santa while we throttle him. Right up to the New Year there’s so much going on you needn’t come home till Easter.
She's the red-haired electro-pop debutante of the year. La Roux frontwoman Elly Jackson talks about her love of the 80s and tells us why Blur were the only decent rock band of the past 20 years.
A long way from there to here
With 35 years on the road behind them, THE DUBLINERS are the roots of Irish music. Interview: Colm
O'Hare. The Rolling Stones aren't the only ones celebrating 35 years on the road this year.
MIKE DID not know what he was getting himself into. I didn’t know who Mike was at the time, only that I was sitting in my favourite cocktail bar, Footlights, during the all-day Sunday happy hour and these two very colourful, very loud black guys came in, full of laughter and big gestures.
To celebrate hotpress’s thirtieth anniversary issue, we thought we’d break out the bubbly (and the tea!) and invite round a collection of Ireland’s biggest stars.
While it's probably true that he was never likely to repeat his groundbreaking early years, the Popes have their moments, particularly in a live context where MacGowan often seemed more in control.
Music Review | Live
28% | 5 Feb 2004
Colm O Hare
With nostalgia all the rage these days it comes as no great surprise that the 1960s ballad boom is currently enjoying a healthy revival among younger tykes.
With nostalgia all the rage these days it comes as no great surprise that the 1960s ballad boom is currently enjoying a healthy revival among younger tykes.
Ash guitarist Charlotte Hatherley impressed a lot of people here last year with the quirky guitar pop of her debut solo album Grey Will Fade. hotpress catches up with her as she wows the masses at Japan's Fuji Rock Festival.
Or should that be The Clash? Well no, actually, cos there's no Clash, Damned or Pistols in 1999. But there s still joe strummer, who was there when Shane got his ear bitten off and, 22 years later is back for his own second bite with THE MESCALEROS. I ve seen everything that it s possible to see go down and I ve survived it, he tells STUART CLARK who finds himself shanghaied on a ferry to Stranraer.
Main pix: MICHAEL QUINN.
There’s more to our national holiday than drowning the shamrock you know. In fact, no matter what your interest, St Paddy’s Day has something to offer.
It's Irish supergroups ahoy! as former Pogue and Radiator Cait Ó Riordan and Dave Clarke and Fiachna Ó Braonain of the Hot House Flowers join forces in a new outfit called Prenup.
From her humble origins in Corofin, Co. Clare to The White House, Sharon Shannon has blazed her own unique trail across the landscape of Irish music. Her extraordinary success notwithstanding, she has remained an enigmatic and elusive presence, renowned for the child-like sense of wonder she radiates. Here, for the first time, she opens up, telling her own remarkable story to Hot Press. Interview: Gerry McGovern.
From her humble origins in Corofin, Co. Clare to The White House, SHARON SHANNON has blazed her own unique trail across the landscape of Irish music. Her extraordinary success notwithstanding, she has remained an enigmatic and elusive presence, renowned for the child-like sense of wonder she radiates. Here, for the first time, she opens up, telling her own remarkable story to Hot Press. Interview: GERRY McGOVERN.
With an Irish tour approaching and a new album in the shops, Luka Bloom looks back on three decades that have taken him from busking in a pub in Newbridge to the big stages of Europe and America. In this candid interview with Jackie Hayden the man also known as Barry Moore talks about brother Christy, overcoming stage fright, finding an original voice, dealings with the music business, the need to combat racism - and why he remains a wannabe bogman
It's been almost two years now since Anam's Brian O hEadhra unpacked his rucksack from top to bottom, two years of tearing all over the globe, from Düsseldorf to Darwin, Chicago to Castletownbere. With three albums well and truly reared, the band have recently been coaxing their fourth offspring, First Footing, out into the big bad world, blinkering its eyes against the glare of daylight.
Siobhan MacGowan s debut album Chariot confirms that the sister of you-know-who is a force to be reckoned with in her own right. Here she tells Joe Jackson how her music charts an emotional journey from darkness into light. Pix: COLM HENRY
Hard house is this year s biggest dance craze, and it was born at the most renowned
after-hours gay club in the world, Trade. MARK KAVANAGH talks to LAURENCE MALICE,
the Caligula of clubland , about excess, success and his Irish roots. Photographs: Myles Claffey
DO YOU WANT NAILS OF FEEDBACK DRIVEN THROUGH YOUR BRAIN? DO YOU WANT YOUR EARS TO BLEED? THIS IS HARDCORE AND IT'S THE MOST VITAL ATTITUDE IN ROCK'N'ROLL, FROM LOU REED TO THERAPY? VIA NICK CAVE, FUGAZI AND... CHRISTY MOORE. OR SO SAYS GERRY McGOVERN, WHO ALSO ADVANCES THE THEORY THAT 'HARDCORE IS GENERALLY FOR HARD WHITE MEN'. SHOOTING GALLERY AWAITS YOUR RESPONSE!
Hot Press persuaded NIALL STANAGE to become a busker for a day on the streets of Dublin. Here's his account of what happened. Cameo appearances: ALBERT REYNOLDS, TOM DUNNE, LORRAINE KEANE, LIAM MACKEY, 9-month-old EOIN BLAKELY, the GARDA SIOCHANA and a bunch of self-confessed "REBELS". Pics of the bunch: PETER MATTHEWS.
They came from sunny Melbourne to Chipping Norton, England to record their debut album, and thence to Ireland on a whistlestop tour that took them from the capital to the wilds of Leap and beyond. SIOBHAN LONG urges THE KILLJOYS to put down their back–packs for a while and make time for a chat.
Or perhaps we might have reached for another old familiar headline - Fears and Loathing in RTE - as the bosses at Radio 1 announce the chopping of virtually all specialist music programmes from the schedule. It is, writes Bill Graham, an act of cultural criminal negligence.
LIAM FAY talks to writer
TIMOTHY O GRADY and
photographer STEVE PYKE about
their new book, I Could Read The Sky, which chronicles the lives of quiet
desperation lived by the forgotten
members of London s
Irish community.
Those angry young Marxist Punk-Rockers THE MEKONS are back with a new album I Love Mekons and a contribution to a pro-abortion Woman’s Rights compilation . . . but they’re no longer quite so angry or young, not exactly Marxist, and their Punk is reinforced by Folk, Country and World Music! ANDY
DARLINGTON finds out what the hell is going on in Club Mekon.
OUT FROM BEHIND THE GREASE-PAINT THAT ADORNS HIS FACE ON THE COVER OF ‘SPIKE’, ELVIS COSTELLO EMERGES TO TALK ABOUT THE MUSIC THAT RUNS IN HIS FAMILY FROM BIG-BAND TO SPEED-METAL, HIS MUCH-TOUTED IRISH CONNECTION, WORKING WITH PAUL McCARTNEY, HIS CONTEMPT FOR MUCH OF TODAY’S POP MUSIC AND THE FEELINGS THAT INSPIRED HIS DEATH-WISH FOR MARGARET THATCHER.
Martin McCann, lead singer of Sack has been ‘out’ for a number of years now. Here he talks about his homosexuality and its impact on his music. Interview: George Byrne.
SEAMUS HEANEY once described Ireland as a country that went from the medieval to the post-modern in a generation. More than any other native band, Horslips embody that idea. Over their ten-year career, the band lurched back and forth from neo-classical Irish chamber music to progressive rock to acoustic folk to psychedelic pop to glam rock; here was one combo capable of going from Carolan to Caravan in a single bound.
Deciding he d achieved as much as he could within the confines of the music scene in Ireland. Barry Moore changed his name, packed his bags and took off for the USA. There, as Luka Bloom, he was fjted for his live performances, awarded a major international record deal and his debut album, Riverside, given the four-star treatment by Rolling Stone. On a visit home, he tells Bill Graham about his emigrant s success story and explains how a man who was regarded as a folky in Dublin came to cut a rap track in New York.
You'd have thought that 12 consecutive top 40 hits would have earned them the key to the executive bathroom but, nope, before the ink was even dry on their Guinness Book Of Records entry, THE WEDDING PRESENT were shown the door by their record company. Unperturbed, everyone's favourite indie popsters found a new label, a new bass player and a new studio accomplice who's helped them produce their best album since the classic George Best. A slightly battered and bruised DAVE GEDGE gives a blow-by-blow account of the events to our ringside reporter STUART CLARK.
Sharing the spotlight with only his trusty guitar, Ireland's foremost troubadour Christy Moore prepares to take on audiences at The Point later this month. Here he tells Bill Graham of his growing sense of worth and self-confidence, defends Siniad O'Connor's right to free speech and explains just why good hecklers are worth their weight in gold.
John Walshe talks to Counting Crows frontman Adam Duritz about love, fame, journalism, nervous breakdowns, dating the cast of Friends and the band s special relationship with their Irish fans. Birdwatcher: Declan English
Great slogans, great scams, great music and wreckless eric too. 20 years after the label first saw the light of a record shop, richard balls gets some of the key players to reminisce about the glory days of stiff records.
The Edge talks to Bill Graham about his soundtrack album "Captive" - and about the hidden reservoirs the band are charting in their search for the follow-up to "The Unforgettable Fire"
Having made his name in the folk arena with Emmet Spiceland, Planxty and The Bothy Band, DONAL LUNNY went electric with the ground-breaking Moving Hearts. In the second part of a wide-ranging interview reflecting on all of the major characters and plots in Irish music since the folk revival blossomed in the '60s, he talks about the demise of the Hearts, the impact of Riverdance, Shane MacGowan, Sharon Shannon, Altan, Coolfin – and what he'd like to do with Sheryl Crow. Tape: NIALL STOKES
Ahead of the band s heineken green energy gig in Dublin, PETER MURPHY talks to
NINA PERSSON of THE CARDIGANS about success, sexuality, self-esteem and joyriding!
The Christy Moore Interview by Bill Graham
Christy Moore is out on his own. He can't be limited as just a folk singer or a popular artist. Rather he's increasingly an Irish national fixture with an influence far beyond the mere entertainer's reach.
In 1991, five years after the death of Phil Lynott, the late Bill Graham wrote in Hot Press of Philo's enduring legacy. Over ten years later his words are as relevant as ever
phish
are a bone-fide American underground phenomenon who have gone overground in a very big way. Word of mouth rather than record company hype, initially made their reputation Stateside and now they can boast of chart success,
mega-audience attendance and their very own devoted following of Phisheads. But is Europe ready for the 90s equivalent of The Grateful Dead extended jams, waccy baccy, patented ice-cream flavours and all?
peter murphy
investigates.
Over the hills and far away, Chumbawamba come out to play! They get knocked down. But they get up again. They get dropped by Indie One Little Indian, and then get signed up by Capitalist major EMI. Then the Tub-Thumpers Anonymous go on to score the most unlikely hit single of 1997. So what now for Alice Nutter and her chums? ANDY DARLINGTON reports.
Over the hills and far away, Chumbawamba come out to play! They get knocked down. But they get up again. They get dropped by Indie One Little Indian, and then get signed up by Capitalist major EMI. Then the Tub-Thumpers Anonymous go on to score the most unlikely hit single of 1997. So what now for Alice Nutter and her chums? ANDY DARLINGTON reports.
JOHN WHELAN journeys through the former Yugoslavia with New Age travellers, the Rainbow tribe, on the occasion of the 12th European Rainbow gathering which, this year, was held in Slovenia. The event encapsulated the very essence of international socialism; and the earthy conditions in which it was held only served to underline its lineage with the true spirit of Woodstock.
Never mind figgy puddings and partridges in pear trees, there’s some serious seasonal business to be done as the annual HP-7 summit gathers in the crucible of cultural discourse that is The Central Hotel’s Library Bar.
Bono, Adam and Larry. Not to mention the self-styled King Boogaloo himself, Mr B. P. Fallon, whose new book U2: Faraway So Close offers an intimate visual and verbal diary of the band’s world-record shattering ZOO TV tour. For good measure the, um, also self-styled Mr Ramalama talks about Jimi Hendrix and the Mafia connection, toting guns with Tone Loc, giving Little Richard a hard-on, and other little, um, side voyages into other territories, man. Er, tape recorder thingy: Joe Jackson.
No one has their ears sadistically sliced off with a cut-throat razor but there's savage revelry aplenty as Siobhan Long sets her watch to Hiney time and spends 24 hours in the dangerously
danceable company of Speranza.
It's time to lock up your sons, daughters, pet poodle and drinks cabinet, as eight of Ireland's top bands descend on the venue, london, for the first major Hot Press-sponsored musical event of the year.
From Dickie Valentine to The Darkness: Andy Darlington dusts the five decades of Christmas records and chats to Slade's Noddy Holder about his haunting ghost of Chris- singles Past.
In Ireland, conspicuous celebrity replaced politics. The press didn’t get to interview the Taoiseach so they documented the social activities of his Press Secretary P. J. Mara.
All twelve songs are at least part-penned by Hazel, and Cormac de Barra’s electric harp is a regular and moving presence, especially on the Indian-bodhran influenced ‘End Of My Days’.
Anyone who ached with Shane MaacGowan on the Late Late Show will not be surprised to find him missing in action from this new album apart from some co-writing credits.
The first batch of acts for Scotland's T In The Park Festival have been announced, giving a strong indication of who'll be coming to Punchestown this year.
The thirteen tracks herein can be split roughly into two camps - the originals penned quick and recorded even quicker for soundtracks, and the covers dashed off as extra incentives on special edition albums, or just for pig iron
No sooner had the Xmas decorations been taken down than The Blades, the last vestige of one’s misspent youth, decided to call it a day with an emotional performance in the Olympic Ballroom.
1000 Wedding are a loose affiliation of players drawn from a deep pool of Dublin barroom philosophers playing songs by Sean A. McDermott in a wilfully sloppy style
The organisers of Oxegen '08 have revealed that the three day festival is now completely sold out. Plus, they've announced the day by day line-up so far...
There was an odd period some ten or fifteen years ago when punters would pay a few bob to go into a folk club and shut their gobs while somebody played. I can’t imagine why. Perhaps the late arrival of technology was making us romantic.
One of the inherent dangers involved in making comedy/parody records is that the obsolescence factor tends to come into play quicker than you can say 'Weird Al Yankovic'.
ON PAPER, Black 47 could've saved Irish rock 'n' roll. A mouthy, unrepentantly Republican NY-based combo with the eclectic sensibilities of Fishbone, the rebel zeal of Dexy's or Little Steven and a fired up frontman in the form of Wexford expatriate patriot Larry Kirwan,
And the prize for most unexpected cover star goes to.... Margaret Thatcher. No, really! And we've got The Pogues, Rory Gallagher, Nanci Griffith, Keith Richards, Fleetwood Mac and Zig and Zag, interviewed by Mr Graham Linehan!
The death has occurred of Joe Strummer, one of the most important British musicians of the punk era. As lead singer and chief lyricist and ideologist with The Clash, he was central to making some of the finest music of the late ‘70s and early ‘80s.
With the same old trad royalty still being treated with grovelling reverence, promoter and manager David Caren thinks it stime the young and innovative got their dues. But will it happen? Report: SIOBHAN LONG.
It was a year when all manner of ecological malaise seemed to come home to roost. In particular the Sudan was in turmoil, putting our own nasty little problems of smog, toxic waste and criminal fish kills into sharp relief –
Well, it’s back to the future time again, as we woozily welcome in 1995. With happy hearts and sick stomachs and peace and integration high on the list of high hopes, we kick off Demo Parade with a mixture of groups from home and abroad.
‘That’s entertainment’ was the message of the year but not as Paul Weller intended it, for in 1986 popular music was closer to mass entertainment as Declan McManus’ pater knew it than any year since Elvis Presley swivelled his hips on the Ed Sullivan show.
THE BALLOT–BOXES HAVE BEEN OPENED, THE VOTES SCRUTINISED UNDER THE STRICTEST OF SECURITY AND NOW THE RETURNING OFFICER STEPS UP ONTO THE STAGE TO ANNOUNCE THE RESULTS OF THE 1993 HOT PRESS READERS’ POLL
Since records began, popular music has maintained a healthy and unstinting preoccupation with political issues. GERRY McGOVERN namechecks some of the artists who have nurtured such links and argues that even music which ostensibly extricates itself from the issues of the day, is itself inherently political.
These days, Barry McIlheney is a major player in the world of London-based consumer magazines. He s been a guiding hand behind FHM, Q and Mojo, and has just launched a weekly entertainment magazine, Heat.
As St Patrick’s Day approaches, what better time to celebrate all that’s great about Irish culture. From music and film to food and literature, Ireland has always punched far above its weight.
Colm O'Hare turns over a new leaf or two from the huge variety of publications on the shelves this Christmas, from rock biographies to more general Irish published works. So, for those of you who like your entertainment between the covers, read on . . .
